But to let it occur, 2018
The main concept in the works was to incorporate an outer influence as an element in a sequence, interfering in the process and affecting the outcome, resulting in an always changing expression. The outer influences - water, acid and light - were an uncontrollable and unpredictable element in the process, which worked by its own, but always interacting and depending on what I could control; colors, saturation, time, layers.
The patterns in the stone dust appear as landscape formations, giving them a almost cartographic quality.